“The court jester had the right to say the most outrageous things to the king. Everything was permitted during carnival, even the songs that the Roman legionnaires would sing, calling Julius Caesar ‘queen,’ alluding, in a very transparent way, to his real, or presumed, homosexual escapades.” – Umberto Eco
2.) Leadership Destabilisation Through Character Assassination
3.) How To Handle Jesters
4.) In Closing / Relevant Reading
The jester’s humour can take on either an attack or defence posture, with humiliation acting as his weapon, and plausible deniability his shield. And I say ‘he’, for of the few jesters I have encountered, not one has been female. Likewise if I am to put my personal experiences to one side and observe the wider culture, I remain at a loss in the attempt to identify a female jester.
The wit inherent to the mechanisms of the jester are intrinsically masculine in their nature, for the jester employs a type of verbal gladiatorship of which I have little doubt is fuelled in great part by the ordination that the male must prove his fitness to the female as opposed to the inverse. As the dearly departed Christopher Hitchens stated in simpler terms, women aren’t funny because they don’t need to be; and such a truism does not find any particular exception within the expression of one’s Machiavellian interpersonal style either.
Of course a high functioning dark triad woman is wittier than her neurotypical counterpart by effect of her reduced emotional sensitivity, but this does not lend itself to becoming the dominant function which underpins and subsequently characterises her interpersonal style. The feminine Machiavellian archetype is almost always that of the seductress, favouring the weaponisation of sex and all the attendant traits this implies, she presupposes the virginity of enemy men and the promiscuity of enemy women whilst overtly oozing innuendo and sensualism in her bid to entrance allies.
Think of a Machiavellian archetype as a flavour of cunning, all Machiavellians are cunning, but the way in which that cunning is expressed differs vastly in its style and execution. Different archetypes use different stylistic mediums to exert their influence. Be it to charm or humiliate, jesters use humour, seductresses use sexuality whereas fault finders use rules and malicious compliance. Cunning may be universal, but the asset utilised and the way in which it is personified vastly differs. The jester’s power stems from a quick wit and their ability to employ said wit humouristically, for it is their ability to verbally destroy an enemy to a chorus of laughter that makes their otherwise unacceptable aggressiveness permissible.
The jester is a master of reframing perception through humour, and so of all the various styles of cunning found manifest, his persuasion goes unmatched. His ability to sway group opinion is second to none, for hilarity always brings great popularity, and seductiveness cannot target as large an audience as hilarity. Irrespective of environment, be it the royal courts of Europe or a television talk show, the jester’s subtle albeit inextricable control of public perception goes indomitably unchallenged.
When people on the internet say “trolling is a skill”, they unknowingly nod gently to this Machiavellian interpersonal style. To give an example of
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